Tuesday, March 6, 2018
Sunday, February 11, 2018
Saturday, October 14, 2017
watercolor on paper, 2017
With a sense of a cycle completed, I present this collection of three long, contemplative, immersive sound works inspired by journeys, inner and outer, along the shores and waters of Lake Champlain. This work is the culmination of many years of sound painting and exploration, and this release represents a completion and fulfillment. The three pieces are arranged into one inclusive work, reflecting a journey that begins with evocation, moves into exploration, and at last becomes quiet contemplation. Thank you for listening. -KMB, 10/11/17.
Thursday, September 21, 2017
The long summer makes its way to fall. The angle and quality of light shifts, softens; colors in and on water, sky, and land-forms find different suffusions. This is my favorite season to paint.
Paintings by Kevin Macneil Brown, watercolor on paper, 2017.
Saturday, July 1, 2017
Wednesday, April 12, 2017
Tuesday, September 27, 2016
crossing 2- painting and scanograph by Kevin Macneil Brown, 2016.
Crossing the broad waters of
In the outward experiencing of the water, sky, shifting light and shorelines, something also happens inside the self.
The piece is made up of the following layers:
- Recordings made by the composer at the
waterfront on Burlington,
Champlain. These include the sounds of waves, boat motors, ferry
horns, birds, and random voices, including a pre-recorded sight-seeing
description broadcast from a tour boat on the water.
- Transformations of those on-site recordings, made by processing pitch, duration, harmony, timbre, and spatial relationships. (This layer is actually made up of 3 layers.)
- A guitar improvisation made with a scale derived by ear from the previous layer. (This section is also presented alone with the title “Cobalt and Cerulean.”)
- A spoken text taken from the appendix of TWO CENTURIES OF FERRY BOATING ON LAKE CHAMPLAIN by Ralph Nading Hill.
Using the proportion of 5:3 as a guide to structure and arrangement, these layers were assembled in the multi-track and mixed.
The piece can be listened to from beginning to end as a journey, or can simply play as background and be dipped in and out of at random or as desired. One might also let the soundscape lead to sleep. My experience so far is that it reveals new details and sounds very different with each listening—and with each way of listening.
-KMB, September 2016.